A Collaboration between Our Senses: Royal Ballet Joins alongside Blind Artist for Pioneering New Performance

The Royal Ballet traditionally offered audio devices with audio descriptions so that visually impaired patrons could understand the performance on stage. Now, via a revolutionary new work, the whole gathering will hear such descriptions within a work that explores how visual impairment can redefine our reactions to sensation, sound and narrative.

Visually Impaired Creator Partners with Famous Dance Creators

The blind artist, a blind creator, is working with renowned choreographer Wayne McGregor, among other dance creators, and musician the celebrated composer in creating a new Royal Ballet work that will premiere on November 12th, International Ballet Day, as announced this week.

Within her creative practice, Healey is motivated by a desire to show how visual impairment and disability can offer an unique form of perception for all people. Her rich spoken descriptions, blended with the score, creates the center of the performance on stage.

"Producing top-tier dance and musical theater for everyone" is a guiding principle of the Royal Opera House. Under the director, the Royal Ballet's leader, the organization is concentrating on "radical accessibility – inviting artists and audiences to encounter ballet in life-changing fresh approaches," he explained.

Multiple Choreographers Work on Fresh Production

The fresh production is being choreographed by Tiler Peck, Bim Malcomson, and Rebecca Myles Stewart, in addition to Wayne McGregor, every one collaborating with the blind artist.

Robert Binet, the curator of this commission, commented: "World Ballet Day was founded on the idea of inclusion. After a ten years, we're extending that idea further to explore how challenged outlooks can influence our art form, and welcome viewers of diverse capacities and histories to experience ballet in new ways."

Following partnerships with Healey in Canadian venues and Australian locations, he recognized that sighted people who had experienced Healey’s audio narration found it aided them understand ballet, which can seem so abstract.

Moving Collaboration Of Expert and Amateur Performers

In one dance piece, the company's dancer Leo Dixon will dance with Takashi Kikuchi, an non-professional performer who has been blind from childhood and who had always thought that ballet was "mostly for those who can see". But the dancer has discovered that it truly "includes a lot of emotion and sentiments" and activates faculties, "visual and non-sight".

The dancer's individual experience of earlier getting lost on his way home and depending on the sun to direct his way back had influenced a performance in which the professional dancer embodies the "soothing presence of the sunlight around his partner as they perform as one," Malcomson explained.

"This occurred in the afternoon and I had a intuition that the sun should be beaming from the western sky. So, if I faced the sunlight, even though I didn't perceive the rays itself, I could feel the temperature … So I persisted in walking to the west …. It led me home. The sunshine was a good helper to me. The sun could be a meaningful symbol. So the tale developed from there."

Visual Impairment Provides Unique Relationship with Movement

The blind artist, an academic of disability studies at the University of Toronto, commented: "Blindness and being blind encourages a vibrant relationship with motion in a way that is comparable to a professional dancer’s relationship with their body and motion."

In working with the dancers, the artist was attempting to communicate what "they feel in their body, something that’s just not accessible through vision," she said. "I converse with the dancers to get a feeling of how they are in their physical self, where their respiration is, what they’re thinking, how their muscles are sensing.

"Working together with the dance creators [and] attire, lighting, stage design and sound designers, the perceptions and creativity of blindness are always there as we, visually impaired and seeing people, develop a connection through our passion of movement and performance. It is this artistry and affection that I strive to blend into the spoken commentary. It is a cooperation of the faculties led by visual impairment."

She noted: "Even though the vision of the ballet, the stunning visual feast, is available facing the audience, there is a great deal that they’re not accessing or appreciating, and it is visual impairment that is encouraging seeing and visually impaired audience members both into the hidden. What I wish is that, when audience members depart, they experience performance in a distinct way, and they’re also feeling the existence, and perceiving the viewpoints of, visual impairment in innovative and dynamic ways."

Musician The Composer on Sound Narration

The composer, whose works have accumulated more than 3.5 billion streams, said the descriptive commentary established a connection between blindness and sight "via a soundscape, providing expression to that which does not always appear". He noted: "It is not just a explanation of a performance. This is the art."

International Dance Event Partners

The Royal Ballet’s global collaborators for World Ballet Day comprise the National Ballet of Canada and the Australian Ballet. The companies will also offer access to backstage video, rehearsals and freshly produced pieces – broadcast in real-time via their official platform.

Anthony Wright MD
Anthony Wright MD

Maya Sterling is a seasoned audio engineer and tech journalist with over a decade of experience in sound system design and acoustic innovation.